What Is the Method of Analyzing and Identifying Elements in Works of Art
This page provides definitions and examples of the elements of art that are used by artists working in various media. The elements of art are components or parts of a work of art that tin can be isolated and defined. They are the building blocks used to create a piece of work of art.
Students who tin place the elements and evaluate their role in the limerick of a piece of work of art volition be better able to sympathise an artist's choices. They will be equipped to address whether a piece of work of art is successful, and why.
The organisation of elements in a work of fine art. All works of art take an gild adamant by the creative person. Limerick creates a hierarchy inside the work, which tells the viewer the relative importance of the imagery and elements included.
Symmetrical compositions convey a sense of stability. In this instance, a single big figure in the center is flanked past a smaller figure on either side. The shape of the artwork itself is also symmetrical—a vertical line bisecting the prototype would create two equal halves that are mirror images of one another.
Asymmetrical compositions oft convey a sense of move since the elements of the composition are unbalanced. In this example, the artist used organic forms to create a composition that mimics the movement of vines growing in an unordered fashion around the clock face.
Line
A line is an identifiable path created by a point moving in space. It is one-dimensional and tin can vary in width, direction, and length. Lines often ascertain the edges of a form. Lines can be horizontal, vertical, or diagonal, straight or curved, thick or thin. They lead your heart around the composition and tin communicate information through their character and direction.
Examples:
Horizontal lines suggest a feeling of rest or placidity because objects parallel to the earth are at rest. In this landscape, horizontal lines too assistance give a sense of space. The lines delineate sections of the landscape, which recede into space. They also imply continuation of the landscape across the picture plane to the left and right.
Vertical lines frequently communicate a sense of height because they are perpendicular to the earth, extending up toward the heaven. In this church interior, vertical lines advise spirituality, rising beyond homo reach toward the heavens.
Horizontal and vertical lines used in combination communicate stability and solidity. Rectilinear forms with 90-degree angles are structurally stable. This stability suggests permanence and reliability.
Diagonal lines convey a feeling of movement. Objects in a diagonal position are unstable. Because they are neither vertical nor horizontal, they are either about to fall or are already in movement. The angles of the send and the rocks on the shore convey a feeling of movement or speed in this stormy harbor scene.
In a two-dimensional composition, diagonal lines tin can also indicate depth through perspective. These diagonal lines pull the viewer visually into the prototype. For instance, in this photograph the diagonal lines lead the eye into the space to the indicate where the lines converge.
The curve of a line tin can convey energy. Soft, shallow curves recall the curves of the human body and often have a pleasing, sensual quality and a softening result on the composition. The edge of the puddle in this photo gently leads the eye to the sculptures on the horizon.
Sharply curved or twisted lines can convey turmoil, anarchy, and even violence. In this sculpture, the lines of the contorting bodies and the serpent assistance convey the intensity of the struggle confronting the ophidian's stranglehold.
When repeated, lines can create a blueprint. In this example, the creative person repeated unlike kinds of lines across the composition to create various patterns. Patterned lines as well requite the image rhythm.
Shape and form
Shape and form ascertain objects in infinite. Shapes have two dimensions—height and width—and are usually defined past lines. Forms exist in three dimensions, with pinnacle, width, and depth.
Examples:
Shape has just height and width. Shape is ordinarily, though not ever, defined by line, which tin can provide its contour. In this image, rectangles and ovals boss the limerick. They describe the architectural details for an illusionist ceiling fresco.
Form has depth too every bit width and height. Three-dimensional form is the basis of sculpture, furniture, and decorative arts. Three-dimensional forms tin be seen from more than one side, such as this sculpture of a rearing equus caballus.
| |  |
Geometric shapes and forms include mathematical, named shapes such equally squares, rectangles, circles, cubes, spheres, and cones. Geometric shapes and forms are oft man-fabricated. Nevertheless, many natural forms also accept geometric shapes. This cabinet is busy with designs of geometric shapes.
Organic shapes and forms are typically irregular or asymmetrical. Organic shapes are ofttimes found in nature, but human-made shapes tin can also imitate organic forms. This wreath uses organic forms to simulate leaves and berries.
Repeated shapes and forms also create patterns. On this manuscript folio, the repeating organic floral shapes create a blueprint.
In this photo, geometric shapes and lines are repeated to create a pattern.
Space
Existent space is three-dimensional. Space in a work of art refers to a feeling of depth or three dimensions. It tin too refer to the artist's utilise of the area inside the pic plane. The surface area effectually the primary objects in a work of art is known as negative infinite, while the space occupied by the primary objects is known every bit positive space.
Examples:
Positive and negative infinite
The relationship of positive to negative space tin profoundly touch the affect of a piece of work of art. In this cartoon, the homo and his shadow occupy the positive space, while the white space surrounding him is the negative space. The disproportionate amount of negative space accentuates the figure's vulnerability and isolation.
Iii-dimensional space
The perfect illusion of iii-dimensional space in a 2-dimensional work of art is something that many artists, such every bit Pieter Saenredam, labored to reach. The illusion of space is achieved through perspective drawing techniques and shading.
Color
Light reflected off objects. Color has iii main characteristics: hue (red, light-green, blue, etc.), value (how light or night information technology is), and intensity (how bright or tedious it is). Colors can be described as warm (red, yellowish) or absurd (blue, grayness), depending on which end of the color spectrum they fall.
Examples:
Value describes the effulgence of colour. Artists utilise color value to create different moods. Night colors in a composition suggest a lack of low-cal, every bit in a night or interior scene. Dark colors can ofttimes convey a sense of mystery or foreboding.
Light colors ofttimes depict a light source or low-cal reflected inside the composition. In this painting, the dark colors suggest a night or interior scene. The artist used light colors to depict the light created past the candle flame.
Intensity describes the purity or forcefulness of a color. Bright colors are undiluted and are oft associated with positive energy and heightened emotions. Boring colors accept been diluted by mixing with other colors and create a sedate or serious mood. In this image the creative person captured both the seriousness and the joy of the scene with the dull grayness rock interior and the bright cherry drapery.
Texture
The surface quality of an object that we sense through affect. All objects have a physical texture. Artists can likewise convey texture visually in two dimensions.
In a two-dimensional piece of work of art, texture gives a visual sense of how an object depicted would feel in real life if touched: difficult, soft, rough, smooth, hairy, leathery, sharp, etc. In three-dimensional works, artists employ actual texture to add a tactile quality to the work.
Examples:
Texture depicted in two-dimensions
Artists apply color, line, and shading to imply textures. In this painting, the human being'due south robe is painted to simulate silk. The ability to convincingly portray material of dissimilar types was one of the marks of a smashing painter during the 17th century.
 | |
Surface texture
The surface of this writing desk is metallic and difficult. The hard surface is functional for an object that would have been used for writing. The smooth surface of the writing desk reflects light, adding sparkle to this piece of furniture.
Source: https://www.getty.edu/education/for_teachers/building_lessons/elements.html
Post a Comment for "What Is the Method of Analyzing and Identifying Elements in Works of Art"